By Sarah E. Murphy
My earliest memories of moving from West Newton to our newly renovated summer cottage in Falmouth Heights, and the only memories I recall of having one-on-one time with my mom, date back to the mornings and afternoons she and I spent together as she first began cultivating her garden, when I was three, maybe four, before I went to kindergarten. Throughout my childhood and adolescence, I watched her struggle, unfulfilled and overwhelmed by the demands placed upon her by a patriarchal religion. It’s one of the main reasons I struggled to decide whether or not I wanted to or thought I could be a mother. Ultimately, it’s why I chose not to follow that path.
And although I was never a little girl who spent time dreaming of her wedding day, I did eventually find someone I wanted to share my life with, and I knew before Chris and I were officially engaged that the only place I could imagine myself celebrating that special milestone was right in my parents’ backyard at 36 Grand Ave.
I wrote this poem for my mother thirty years ago, not long after she left the Catholic Church and the forced beliefs that accompany ethnicity. Today, this sacred space is dedicated to Mary and “the feminine face of God,” and to me, it’s more spiritual than any church, an opinion that is reinforced each time I visit the Vatican. It makes me feel safe, as she always has.
Happy Mother’s Day, Mom. I love and appreciate you more than any poem can encapsulate.

Mom’s Garden
I cherish those
sacred times
when the big ones
were at school
the little ones attempting to nap
and I had Mom
to myself.
I’d sit under
the golden sun
on a grassy blanket
watching her
give life
this time to
the yard around us
mirroring her actions
with my plastic shovel
reveling in
the dichotomy of
potato bugs
and the revolting
fascination
of the creatures
whose home
I was invading.
Although I wasn’t
old enough for school
here I was a student of my mother’s serenity
a feeling foreign
in the home of her
own mother
who never knew
the joy of
seeking and finding solace
in the soil.
At the close of
those days
the bustle of our crowded kitchen
and the intrusion
of dusk
brought many
voices and dilemmas
forcing me
to relinquish her
but not without knowing
I was part of
the garden.
Then came bedtime
brushing Oil of Olay
against my cheek
with a goodnight kiss
to usher me to sleep.
Clean sheets and
my night light
and nothing more
to want.
SEM, 1994




















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